Martin Johnson Heade Cattelya Orchid and Three Brazilian Hummingbirds painting

Martin Johnson Heade Cattelya Orchid and Three Brazilian Hummingbirds painting
Peter Paul Rubens The Crucified Christ painting
Buck lived at a big house in the sun-kissed Santa Clara Valley. Judge Miller’s place, it was called. It stood back from the road, half hidden among the trees, through which glimpses could be caught of the wide cool veranda than ran around its four sides. The house was approached by gravelled driveways which wound about through wide-spreading lawns and under the interlacing boughs of tall poplars. At the rear things were on even a more spacious scale than at the front. There were on great stables, a where a dozen grooms and boys held forth, rows of vine-clad servants’ cottages, an endless and orderly array of outhouses, long grape arbors, green pastures, orchards, and berry patches. Then there was the pumping plant for the artesian well, and the big cement tank where Judge Miller’s boys took their morning plunge and kept cool in the hot afternoon.
And over this great demense Buck ruled. Here he was born, and here he had lived the four years of his life. It was true, there were other dogs. There could not but be other dogs on so vast a place, but they did not count They came and went, resided in the populous kennels, or lived